Painting “Etude No. 3. Ίχθύς” (2023)
Title: Etude No. 3. Ίχθύς
Year: 2023
Dimensions: 14 X 16.5 X 0.1 cm
Materials: paper, photograph from a magazine of the 80s, shiny elements with a mirror effect, hand-drawn monotype on paper.
Direction: symbolism, expressionism, Cologne-Hannover collage, mythological art, sacred mythology, metaphysical collage, surrealism, abstraction.
Technique: analog collage
The colors in the photo may not differ significantly from the original, it depends on the computer screen.
The collage, depending on the lighting, looks different because it consists of shiny, glossy and mirrored elements that reflect light in different ways.
Concept:
The symbol of "fish" is interpreted with contradictory meanings, which fit into a single scheme, the core of which is the opposition "life - death" or, in a dynamic interpretation, "dying - birth. This work is about birth as an allegory of spiritual resurrection as opposed to earthly existence. Birth is described in images of fishing. Since water is the source of new life, the body of water is compared to the womb, then the fish is at the same time a symbol of the newborn and rebirth, fertility. The background around the boy carrying the caught fish is an abstraction. Which gives a duality of perception of space. On the one hand, the background resembles an endless expanse of water, but at the same time there is a sense of otherworldly, surrealistic space. It is a chamber, intimate and sacred work.
Mariia Drozdova works in such techniques as painting, graphics, collage (analog, digital), photography, performance, computer graphics, icon painting, installation . The artist paints her whole life (for she remembers herself).
After receiving an academic education, Mariia works both in the classical areas of art and creates projects in the field of modern art, and believes that versatility, creative experimentation and love for her creativity are important for the artist.
The artist tries not to limit the work with any specific techniques or trends, if possible she tries something new, but at the same time she prefers symbolic art. In her paintings Mariia Drozdova unites the emotional and analytical approach.
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