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Painting “Low tide on the Red Sea“
Painting “Low tide on the Red Sea”
Painting “Low tide on the Red Sea”-2
Painting “Low tide on the Red Sea”-3
Painting “Low tide on the Red Sea”-4
Painting “Low tide on the Red Sea”-5
Painting “Low tide on the Red Sea”-6
Painting “Low tide on the Red Sea”-7
Painting “Low tide on the Red Sea”
Painting “Low tide on the Red Sea”-2
Painting “Low tide on the Red Sea”-3
Painting “Low tide on the Red Sea”-4
Painting “Low tide on the Red Sea”-5
Painting “Low tide on the Red Sea”-6
Painting “Low tide on the Red Sea”-7

Painting “Low tide on the Red Sea” (2021)

The painting is sold. Artist does not create copies of this painting. Original, one-of-a-kind artwork
Painting details
Painting size
45 x 35 cm / 17.72 x 13.78 in
Medium, material
acrylic, canvas
Genre
Abstract; Landscape: water landscape - seascape; Animalism: fish
Style
abstract expressionism, abstraction
Frame
not framed
Color
Form and frame
Vertical
Painting ID
14143
Description of the painting

Purple Coral Abstract Indoor Sculpture
100% original hand-created one-of-a-kind slime sculpture by Tanbelia.

Size 18 x 14 x 6 inches (45 x 35 x 14 cm).

The sculpture calls 'Low tide on the Red Sea' slime, recycled paper on canvas, 2021 year.
Coral reef at low tide on the Red Sea in Sharm el Sheikh. My first visit to Egypt was best remembered by the sea and its inconsistency, daily tides. The sculpture depicts a coral reef when it is slightly covered with water, shells, graphite sea urchins, volcano-like corals, and small green crustaceans that can be seen from under the water. Materials used in the work: recycled paper, slime on canvas.

Materials: slime paint, stretched canvas, recycled paper. Have a hanging system.

Please note that the colors in the sculpture may vary, depending on your monitor settings.

Shipping: In a very reliable cardboard box. Shipped with tracking.

Artist

My art is about nature, reproduced in abstract forms. With my works, I try to show people's deep connection with the environment and meaningfully remind contemporaries of the need to cherish and preserve nature. Abstraction speaks for itself because it is what everyone wants to see. What it is about, what the artist has put in it, and the emotions behind it. Everything invested therein begins to come to life in people's perception of different experiences and habits. In this way, speaking about the general ideas of environmental protection,  I select various topics and thus activate different worldviews and memories in society.

For work, I often use slime, which is a unique material. In general, slime is a popular children's anti-stress hand toy. I added a new purpose to this viscous material, brought it to the art territory, and made it relevant with my author's technique. I also recycle paper and plastic using my special technology to create sculptures.

After all, we like to solve riddles instead of knowing the answers right away. Not only do I create paintings, but I also think about the environment and what I can potentially change. I am always looking for new artistic techniques, paying attention to plastic and paper processing and using these methods in my art. I found inspiration primarily in nature, and it is she who evokes in me those powerful reactions that make me feel ready to turn the world upside down.

My art is about encouraging people to sustainable development and protecting nature. We live in the Anthropocene, but this period should not be an ecological catastrophe. On the contrary, we can try to save land, air, and water from pollution, debris, and other human activities. Today, there are almost no landscapes left without anthropogenic impact. Civilisational garbage, an excess of electric light, and the noise of cities are everywhere. Traces and substances of industrial activities are everywhere. In my artworks, I discover alternative ways of mutually beneficial coexistence and intend to show others the importance of biological balance through natural diversity.

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